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Wednesday, February 6, 2019

Climes Curiouser 'n' Curiouser

A’s for the Aurorae. Loom there two: the first’s Australis,
whose plum plumes illumine views down south. The second’s Borealis.
Its heighted lights ignite bright nights in thermospheres up north.
My God! Bipolar pairs! (No third Aurora? Nor no fourth?)

B is for the Belt of Venus: atmo- [species] -spheric [genus].
Pinkish tints mint hints o' ‘she’ness. Yellowness? A bit. Less greenness.
Note its horizontal leanness. (Watch out, weatherwonk! You’ve seen us
eye such skies: obscene’s your meanness: rum attempts to come between us.
Cease! Desist, you cyst, you…penis! (Finis! Amen! Amen! Finis!)

Letter C? ‘Tis for Chinook, Grant's wayward wind which waxes warm
whene'er it's blowing true to form – or so pronounces Nixon’s book.
Dick’s tome’s a tell-all Tricky took from off some freshmen in his dorm,
although such nicking’s not Dick’s norm: swears Milhous, “I am not a crook!”

Letter D? ‘Tis for Derechos, squalls whose palls give sheiks the shakes.
Like diesel trains -- huge trains, not HOs, D's tow wind shears in their wakes.
To flee, as Holden Caulfield chose, wise Waco folks do all it takes
to pull up stakes, release the brakes…then run like hell, for heaven’s sakes!

E’s for Elephanta, winds one can’t connect with Cannes,
with Santa Ana or Atlanta, Timbuktu or Kazakhstan,
but can with India, where Fanta’s set aside the Gold Spot brand.
(What damage lesser breezes can’t accomplish, elephantas can.)

F’s for Firn, a sort of snow. (It’s not spelt ‘fern’ – that much I know.)
As schoolboys learn, the Eskimo, empair'd, adjourn from Noolaaghe Doh,
and, one with quern and one with hoe, contrive to churn each glacier so,
to turn such firn as lurks below. (Shall both re-turn? I’ll not say no.)

G is for Graupel, a rime, hail'd as “small hail” some most of the time.
Graupel grows in a supercool’d clime and makes snow moguls so-o-o-o hard to climb.
(Note my punning? My internal rhyme? Him who limns feels his hymn’s quite sublime.
To those readers who don’t, I say, “I’m…sure my puns fit this victimless crime.”

Letter H is for Haboobs, whose dusts, of sepia and ruby,
roil and boil – like surfer’s tubes – to buffet both: big-brain'd and boobie.
Whether you an Okie Reuben or a Rubik’s-Cubein’ Sioux be,
blows from ‘boobs will bruise your pubes: ‘boobs fell both fakes and “-lievers (true be-)”

I’s for Injun Summer when thermometers again
achieve their August levels. Bummer, ‘cuz such warming waxes. When?
When we’ve already weather’d frosts. Such freaking flux is uncontroll’d.
Forget McCutcheon! With our luck, we’re sure to catch our death of cold.
(Great-grandad, later, sued for reprints; long and loud did Grampie scold.
The Tribune’s claim (“The damn thing’s incorrect”) appear'd below the fold.
Nostalgi’ns ‘cross the USA, when they’ve been subsequently poll’d,
extoll: “We love John’s piece to pieces.” But, although the Trib’s cajol'd,
‘tis all for naught. Chicago's daily is (eventually) sold.
Now John’s cartoon lives on the web, while my lampoons are showing mould.

J is for Jet streams. Don’t fret: they’re not wet dreams.
Think fast! Blink! They’ve pass’d -- like no biker you’ve met. Seems
they’ve, lest we forget, quite a character set.
Loom they lofty? You bet! Like my hued minaret,
Or your blued clarinet. Or her rude cigarette,
Or his nude statuette. What you see’s what you get…
[Please attend how I sweat. Help me end this vignette.
I’d be so-o-o-o in your debt. Send for gents and a net!]

K’s for Kat- (they howl down mountains, mesas, heaps and hills) -abatic Winds.
For Kat- (as with Jill’s hill, at bottom, something spills) -abatic Winds.
Such winds do not perform well ev’ry time: they're some erratic ones.
What are they (Karabatics) most like? Semiautomatic guns.

L is for Levanters, winds that rock around Gibralter.
Their keening’s kin to cantors’ kvells. Still, seldom do they falter.
Were Levanters Corybants, sir, Keenan Wynn would haunt their altar.
But as years pass, fears grow scanter, and folks’ scorn Wynn’s sworn to alter.

M is for the Monsoon Wind, a monsterous affair.
In this, our “mondo de monsoon” -- mon Dieu! – we've monsoons everywhere.
Out in Mongolia, Montana, Montenegro monsoons blow.
(Were she in Mon, they’d nick the frickin’ frock off Marilyn Monroe.)

N’s for Noctilucent Clouds. They’re high. They’re dry. Their guise ain’t dowdy.
Noctilucents shine at night when, otherwise, dark skies ain't cloudy.
Ties have they to climate change? Guys – Yung et al. – have so avow’d. He
leads that loud and rowdy crowd who, framing “nocts,” exclaims, “Boy howdy!”

O’s for Oobleck, that climatological goo
sent by Seuss, Dr. Seuss (who’s Ted Geisel to you),
to Bartholomew Cubbins with mucho ado,
to help wring from Bart’s king an ”I’m sorry.” ('Tis true.)

The letter P’s for Palouser, pronounc’d, folks fancy, “pal-uh-SAIRE.”
I Googled it and found its lair. They said, “Pronounce it “PAL-uh-saire,”
which nail'd it not (a lot they care). One kill'd my cow (which just ain’t fair)…
unless it was that solar flare. (At base, they’re but vast blasts of air
which fuss – and muss not just your hair.)

Q’s for Quasi-stationary Front, the front that tends to tarry.
Squatting on an air-mass barrier, it’s temps tend not to vary –
out at sea where floats the ferry; inland, o’er the western prairie.
(QSFs, though not too scary, are, in fact, liquescent. Very!

R’s for Raining Cats and Dogs. It pours! It sogs! No “pitter-pats.”
Our streets aren’t clogg’d with fungo bats but fat – nine meter! – cedar logs.
It floods our flats -- turn'd cranb’erry bogs! For togs, wear Wellies; lose your spats.
Some call it “non-non-aqueous”: (We’ve not the foggiest what that’s.)

S is for St. Elmo’s Fire’s fluorescent blue or purpl’y glow. Be
Pequod’s mate, one Starbuck, spotting plasma’d gas in Melvelle’s Moby
Dick? Yes, as does Shakespeare’s Ariel, who’s charg’d by Prospero
to stir the tempest in the drama called The Tempest, don’cha know.

T is for Tsuname. (‘Tis as well for Tidal Wave.)
“They follow earthquakes,” swann’d our swami, “and the harm they do's most grave.
When one looms, alert your Mommie. She, with me, shall shout, ‘Be brave!’”
(One did; Sri collar’d his salami and hightailed it for his cave.)

U is for Uncinus – cloud de la crook –
thusly call’d, in the Latin, to designate ‘hook.’
They’re, god knows, spare as nose hairs on Alaistair Cook,
and de trop in the troposphere, realm of the rook.
Seen in pairs, they’re term’d ‘mares tails’ – a phrase best forsook –
and adhere to the cirrus. See, here: take a look!
What precip they let rip most elect not to brook.
And, what’s worse: like this verse, they’re terse gobbledygook.

V’s for the Virga, which hails from on high –
not as hail but as ice crystals. Down, down they fly,
and then, all of a sudden, they sublimate. Why?
Because air pressure’s hot. Such occurs where it’s dry.
She who’s witness’d, come sunset, a Virga-gilt sky
sighs as salmon-soak'd streamershine brightens her eye.
(NASA’s Phoenix saw Virga on Mars in July
of ’08, when their JPL lander dropp’d by.)

“W’s for Williwaw. It’s katabatic, cold and raw –
a wintry blast best held in awe. ‘Twill freeze your knees…with tooth and claw.
When ‘Waw’s are due, you’d best withdraw; no move may prove your tragic flaw.
Don’t hem! Don’t haw! Don’t set your jaw: You’ll ne’er play “Willies” to a draw.”
With this – and more – Quick caution’d Shaw as sat they down to tailgate slaw.
“Haw-haw-dee-haw, Quick Draw McGraw. No way you’re layin’ down no law.
Your caveats stick in my craw. You’re nowt if not petit bourgeoise.
P-s-s-s-s-s-s-shaw,” said Shaw with gruff guffaw. Then, chaw in jaw, again: ‘Haw-haw!’”
When last I saw ol’ G. B. Shaw, ‘twas as he pitch’d through roll and yaw.
Then, looking like a man of straw, he wafted high and waved his paw.
“Bid ‘sayonara’ to my Maw and ‘hasta pronto’ to my squaw!”
(I trust this ain’t his last hurrah: We’ll forge for George when dawns Spring’s thaw.)

X is not for Hunger Moon, who fails to fill my empty spoon.
X is not for Lenten Moon, who hails my fasting from the prune.
X is not for Planting Moon, who warns, “Your weeds remain unhewn.”
X is not for Flower Moon, whose thorns en rose effuse come June.
X is not for Thunder Moon, who stalks the ruinous monsoon.
X is not for Green Corn Moon, whose candlepow’r can’t shine too soon.
X is not for Harvest Moon, of whom ersatz Bing Crosbys croon.
X is not for Hunter’s Moon, whose glow was known to Daniel Boone.
X is not for Beaver Moon – nor Moon Baboon, nor Moon Racoon.
X is not for Long Night Moon, whose beams, it seems, are seen at noon.
X is not for Bony Moon, who proves, to Cherokees, a boon.
X is not for Barley Moon, who figures in the wiccan’s tune.
X is not for Mourning Moon, who rises of an afternoon (!)
X is not for Goodnight Moon (though now my po’m proves picayune).
X might be for Yellow Moon. (“But ‘Yellow’ boasts no ‘X,’ you loon.”)
Then let X be for Xanthin Moon: it’s yellow-like. (How opportune!)

Y’s for Yellow Snow. It isn’t what you think.
“Three kinds of yellow snow are seen,” say snow men...with a wink.
“The first is air pollution. Yeah, our planet’s on the brink.
Another? Pollen turns snow gold. But, no: it doesn’t stink.
The third is sand. Sometimes, sand turns snow black or brown… or pink.
(The yellow snow kids’ bladders sow you don’t want near your rink.)"

The last letter’s Z. It’s for Zephyr,
a breath mild – prized by child, pup and heifer.
Currents? Hush’d: those who’re “shush!”ed grow no deafer.
Loved by “-Titi” – arch queen known as “Nefer-.”

Tuesday, February 5, 2019

Three Pseudo-Exquisite-Corpse Limericks

A    A    B
A    A    B
C    C
C    C
(A)  A    B

There’s this guy, do or die, Bernie Sanders.
Pumpkin pie, ham on rye, Peter panders.
Merwyn Peake, so to speak.
Wednesday week, hide-‘n’-seek.
Please stand by, eye for eye, Lunar Landers.

Lives this man, cheek of tan, Don DeLillo.
Spic ‘n’ Span, Ku Klux Klan, cigarillo.
Come to grief, twelve-mile reef.
Are you “deef”? Where’s the beef?
Or (to pan the Qur’an: “Armadillo!”

‘Tis this bloke, country folk, Raul Julia.
Pigs-in-poke, Roanoke. (Would I fool ya?)
“Over There,” share ‘n’ share.
Truth or dare, braid the hair.
Take a toke, have a soak. Hallelujah!

Monday, February 4, 2019

11 Dates in 12 Days or How I Kept Xmas (Images with Captions)







   D'Rumer S. Truman








Piper Speighpin


  Lourdes Leigh-Pinn


Lady Stanzing


Mae d'Zamilkin


   The Swanzas Women


       
     Geisha Layne


Golde Wrinx


     Callie ("Inga") Bertz


Fran Chentz

    "Tooter" Tull-Duffs 



(Anna Paar 'n' Gina Paertrie stood me up.)



























An' A Thought Or Two Or Three (Or Four Or Five) Or Six In 30 Letters

"So: I bet Theo that one rotten s.o.b. quit." -- Lameth 
"I, robot, hatest thee not, quiet Boston." -- The Mal
"Quite the hot boots 'n' beetroots, Tina!" -- Thelma
"That sot bit the best onion? Too queer." -- L. Malte 
"'Quotient' beats 'otient,' Seth. Both root."  -- H. Metal 
"To be, or not to be, that is the question." -- Hamlet

Equivocal 'Barb's

Barb’s the word! Equivocal. E.g., here's three plus three.  
One’s Bobbie and the Riders of his (Benson's) B-Bar-B
Two’s Zanzibar, between the Wami delta and the sea.  
Inhuman "Butcher" Barbie’s three. (Klaus? No one's cup of tea.)  
Valeria Lukyanova’s four: a human Barbie, she.  
Five’s Donald! Donald tweets his barbs. (Don shuns all repartee.)  
Six? A rabbi goes into a bar because he needs to pee.  
See? Some words are equivocal. (Or do you disagree?)  

Saturday, February 2, 2019

Other Goose

Miff'd, Miss Muffet quit her tuffet,
stashing her curds and whey.
Said she to the spider who sat down beside her,
"Ya'll git yer own whey! F**kin' A!" 

Ding, dong, bell.

Pussy's in the well.
Who put her in?
I did? Bloody Hell!

Mary had a little lamb.

Like snowdrift was its fleece.
And everywhere that Mary went
the lamb went. Jeez Louise!

Baa-baa, Black Sheep:

have you any wool?
Not a single bagful? 
What a load o' bull!

Three blind mice!
See how they run!
They all ran after the farmer's wife...
Hey! Are we freakin' done? 


Crambo on "-etti" in Sev'ral Stanzetti

Who except Spenser’d dispense Amoretti?
Why has Gastoldi not sold more balletti?
Who’d buy? Veronica? Jughead? (Not Betty.)
Still, ready or not, here I come.

How many cascades of chill’d cappelletti,
half-baked by Frank Drake and Carl Sagan of CETI,
got hurl’d by Francesca di Foix’s Donizetti?
(You bled? Where’s the clot on your thumb?)

Why did young Esther, whose nickname is ‘Etty,’
begin to befriend Renee Jeanne Falconetti?
Hey! Was it because of her sub-standard Freddy?
Don’t fret: she could not hear the drum.

Where might a sculptor – let’s say, Giacometti –
constructing a bust of Maria Goretti,
rough-hew Mrs. Wainthropp, that slue foot sleuth Hetty?
Our shed Giaco’d not use...the bum!

How do Italian boys’ words – like ‘indetti’
(some few misconstrue ‘em as ‘drench’d in confetti’)
wind up meaning “dinghys you’ll find near the jetty”?
(‘Ka-ret-i’? ‘Ka-rat-I’? Both dumb.)

Who switch’d initials? Did Lester (call’d ‘Ketty’)?
Or was it perhaps Woody’s kid sister Letty?
Each ‘K’ is ambiguous. (‘L’s are already.)
(Go steady…but not wid’ me mum.)

Who unstrings harps with a whetted machete?
(Gone: proslambanomenos, mese and nete.)
Demolishes “Nola” and “No, No, Nanette,” he.
Fast Eddie! Him! (Not me, in sum.)

How did Ted Hughes, with his used Olivetti.
misspell the word ‘pretty’ by spelling it ‘petty’?
My thought? He’s exhausted his ‘R’s, has our Teddy.
(Ted’s dead: he got shot in a scrum.)

Who’ll perform bass in The Tuba Quartet? He
who does is (or was) he who read the libretti.
The man who both can must needs prove rough and ready.
(No bed! Just a cot. He’ll succumb.)

What’s the expected next keyword? ‘Spaghetti’?
Italian musicians anticipate ‘stretti.’
(Most feel ‘f**k and c**k-s**k are wa-a-a-ay too “Tourette-y”
and set free the rotters and scum.)

Who’s Moses’s step-mother’s bro? Uncle Seti?
His offspring in Venice propel Vaporetti.
The water by volume displaced stirs an eddy.
And, ready or not, here they come.

Which monk had spare spunk to pen Vision of Wetti?
(No word so absurd there as ‘xebec’ or ‘xetti’ –
nor mention, of course, of exotic Arletty,
though, ready or not, here she comes.)

And, lest we forget: the abom’nable yeti,
who savors his ziti, pronouncing it ‘zeti,’
and, like me, a fan of the odd alphabet, he.
And, ready or not…
But I’m done.

Friday, February 1, 2019

Donald Digs Dictatoheads

I’m “Oh My God!” 
for you, Assad, 
though Adolf’s still my boy.
“Il Duch” (Benito)? 
Neato! 
Cats call’d Castro never cloy.
(Ceausescu?
Him I’d rescue. See?
My minions I’d deploy.)

I dig Duterte’s 
dastardlys
and Erdogan’s eclat.
Francisco faded 
wa-a-a-a-ay to soon. 
I loved Gaddafi’s hat.
(I’m into hats: 
my hair’s a hat.) 
Hussein’s hat’s where it’s at.

I’m into Idi. 
such a sweetie! 
Uncle Joe, as well.
The Jongs (-il, -un) 
and Kraprayoon: 
those boyos bang my bell.
Hey, Leonid! 
(I miss ya, kid – 
more since your big wall fell.)

My man Mugabe! 
(Hey, there, Bobby: 
keep Zimbabwe swingy!)
My pal Nikita’s 
senoritas 
let you grab their thingy!
The two Okellos? 
Lovely fellows.
Pol Pot? Kinda clingy.

Nguyen Ai Quoc? 
Hey, Doc: you rock! 
Say! Have you met Raul?
Sese Seko’s 
on the take? Oh, 
well: he’s no one’s fool.
Tafari? Ass! (Be-
came Selassie.) 
That man’s born to rule.

The Urbans, Popes?
You’re not the dopes 
some make you out to be.
Vargas? Win? 
Good friends you’ve been –
like mother’s milk to me.
Nor can I say 
too much today
about my buddy Xi.

Yo! Yayah Kahn! 
Yeah, you’re “me mon.”  
If you can’t do it, who?
And Mao Zedong? 
No, folks aren’t wrong: 
I cherish chairmen, too.
Hey! I’ll outdo ‘em all – 
each bloody one – 
before I’m through! 

Only Connected ala "Dry Bones" -- & Well Within My Comfort Zones


Marroz pone's connected to my...butter’d scone; 
my butter’d scone's connected to my...Cotes du Rhone; 
my Cotes-du-Rhone's connected to my...drop zone; 
my drop zone's connected to my...Eten phone; 
my Eten phone's connected to my...fretful groan; 
my fretful groan's connected to my..."grow-your-own!"; 
my "grow-your-own"'s connected to my..."Home Alone"; 
my "Home Alone"'s connected to my...intel (blown); 
my intel’s connected to my...Jonas Cohn; 
my Jonas Cohn's connected to my...Khmer-Mon;
my Khmer-Mon's connected to my...loathsome crone; 
my loathsome crone's connected to my...men's room throne; 
my men's room throne's connected to my...nose cone; 
my nose cone's connected to my...oat (wild, sown); 
my oat (wild, sown)'s connected to my...posture (prone); 
my posture (prone)'s connected to my...Quicken Loan; 
my Quicken Loan's connected to my...robot drone; 
my robot drone's connected to my..."Saint Joan"; 
my "Saint Joan"'s connected to my...Torrid Zone; 
my Torrid Zone's connected to my...undertone; 
my undertone's connected to my...varnish roan; 
my varnish roan's connected to my...Wingy Manone; 
my Wingy is connected to my...xylophone; 
my xylophone's connected to my...yawning drone; 
my yawning drone's connected to my...zits (not shown)…

NOW I hear the word of the Lord!   

Complexity

All its cockles and mussels and oysters and clams,
all its marmalades, lemon curds, jellies and jams,
all its levees and breakwaters, ditches and dams...
crowd the cosmos and leave it complex.

With its Myanmars and Monacos, Spains and Siams,
with its buggies and carriages, strollers and prams,
with its swearings and oaths, with its curses and "Damn!"s...
it's profound in a round of respects.

All its ounces and carats, its grains and its grams,
all its misters and missuses, sirs and mesdames,
all its Maxims and Morties, its Sams and its Shazams…
beg the Q&A, "What in heck’s nex'?"

With its aunties and uncles, its grampas and grams,
with its briskets and pot roasts, its veal joints and hams,
with its puppies and ponies and kittens and lambs...
how's it manage to salvage such wrecks?

All its bunkos and frauds, all its shakedowns and scams, 
all its streetcars and gondolas, trolleys and trams, 
all its "Cheerio!"s, "Ciao!"s, "So long, Sammy!"s and "Scram!"s...
tend to lead one to Windex one's specs.

With its pop quizzes, mideterms and final exams,
with its tubers and 'taters, its spuds and its yams, 
with its beanies and bonnets, its top hats and tams...
what comes next? To apostatize sex? 

All its Tinas and Trishas, its Pollys and Pams, 
all its 'were's and 'once was'es, its 'is'es and 'am's, 
all its "Splooge!"s and "Fwap!"s, its "Wham, bam, thank you, ma'am!"s...
leave it curved – both concave and convex! 

With its cookies and crackers, its melbas and grahams,
with its lintels and lock rails, its joists and its jambs,  
with its potted meats, jerkys, Tofurkys and Spams...
'tis enough to kerfuff’ Malcolm X!

Climate Change Language Exercise: Another Adventure in Linguature

The rain, ‘tis plain,
runs gainly down our lane…
though stains the drain.
The snow, we know,
must blow: drifts drift and grow.
Where're we to go?

This wind, my “frind,”
shall “sind me ‘roun’ de bind.”
My ears? They’re pinn’d.
This ice? Not nice.
(Posh Spice has stumbl’d...twice! 
What’s your advice?)

This sleet’s “fer sheet.”
My seat has lost all heat…
can’t feel my feet.
This mud? God’s blood!
We trudge through muck and crud:
a freakin’ flood!

The fog’s turn’d smog.
All soggy’s grown each tog.
We’re not agog.
This hail won’t fail
our mailman to derail.
Just one more nail…

This dust be cuss’d!
Nonpluss’d, we’re truss’d in crust.
Must we adjust?
The warming’s uncharming,
disarming. More: alarming!
Harms the farming.

Tsunami? Miami’s
still balmy, though less palmy.
Call my Mommie!
Scirocco? Morocco and Bang-
kok go on the block. (So,
where’s Iraq go?)

The fires require
attire heat-treated prior –
or you’ll perspire.
This smoke’s no joke:
Al Roker’s had a stroke.
Ya toke, ya croak!

Armageddon?
We’ve made our beddin’…

Litany Chanted Over Schrödinger's Box

Is he dead yet...? 'Yes' or 'No'...?  All'd 'God Bless!' if 'Yes,' you know.  Is he dead yet...? Don...